226 0. Business and gift cards design. The subscription costs $16.50 per month and gives you unlimited access to a massive and growing library of 1,500,000+ items that can be downloaded as often as you need (stock photos too)! Buying Options. OnlineWebFonts.COM is Internet most popular font online download website,offers more than 8,000,000 desktop and Web font products for you to preview and download. He gave Acumin subtle features like proportional numerals (which are on by default) and ff ligatures (the design doesn’t really require the other f-ligatures). One characteristic of most neo-grotesques is that the ascenders, the caps, and the dots on the i and j all align to the same height. Acumin Concept Bold font search results,FontKe for you to share Acumin Concept Bold resources,provide font download,font upload,font identification,font conversion,font preview,font generation,font design sample,font information and other services. The regular weight and width would, he felt, be the most generic; it would “fit between text and display,” and work equally well for both purposes. Free fonts often have not all characters and signs, and have no kerning pairs (Avenue ↔ A venue, Tea ↔ T ea). バリアブルフォントの調整を行うには「属性」パネルを開きます。フォント名の下にある項目の右にある下向き矢印をクリックすると、プリセットのリストが表示されます。 “I designed the more moderate weights and widths,” says Slimbach, “primarily with text usage in mind. Slimbach set out to design a contemporary neo-grotesque that could work as a text face. As weight increases, the x-height grows and ascenders shorten – illustrated here with a series of successively heavier i’s. Slimbach tried countless experiments, tweaking stroke modulation, the amount of contrast, and the degree of roundedness in the counters, breaking the multiple masters into smaller and smaller increments, to generate specific designs. 2. A sans serif typeface with 90 styles, available from Adobe Fonts for sync and web use. More freebies to Download. He tried to let the style dictate the natural tendency of each width and weight; for example, the overhangs of rounded letters like c, s, and e – the curves that have to extend slightly below the baseline and above the x-height in order to give the optical effect of being aligned – would push the design in certain directions. As he worked, Slimbach divided Acumin’s “design spaces” into many sections, creating many different master designs from which intermediate versions might be interpolated, ending up with “lots of little multiple masters.” But it wasn’t all interpolation. Moreover, you can embed it to your website with @font-face support. So he had to severely restrain his urge to soften or personalize the design too much. He took a look at the basic problem of what he called “the reduction in form of the modern serif structure,” taking to heart an idea that has been proposed before: that the structure of a grotesque is, historically, the same as that of a modern-style serif face, but without the high contrast and without the serifs. The best website for free high-quality Acumin Concept Bold fonts, with 26 free Acumin Concept Bold fonts for immediate download, and 51 professional Acumin Concept … He regards it as “a new voice added to the mix.” Even the Condensed is not so narrow that it can’t be used in text; the counters are deliberately kept open for this purpose. Designer Jeffrey Zeldman describes Acumin as “a Helvetica for readers.” Acumin is a huge family that is available in five widths—extra condensed, semi condensed, condensed, normal and wide—with ... Acumin is a versatile sans-serif typeface family designed by Robert Slimbach, intended for a balanced and rational quality. 120% Get better results with a premium plan. 130 0. As he thought about a new neo-grotesque, his first impetus was to reinvent the category, to make it “much more human.” But he realized that “human” really wasn’t what neo-grotesques were about; the defining features of neo-grotesques are their neutrality and their architectural structure. Solidly neo-grotesque, it performs beautifully at display sizes but also maintains an exceptional degree of sensitivity for text sizes. Acumin is a versatile sans-serif typeface family designed by Robert Slimbach, intended for a balanced and rational quality. 今回は「Acumin Variable Concept」を選択し、英数文字のテキストを入力しました。 3. Copyright 2015 Adobe Systems Incorporated. Slimbach tried to give a logical progression to all the weights and widths of Acumin, but a progression that took into account the purpose and nature of each variation — striving for a natural range of forms that would feel neutral but never cold or mechanical. Solidly neo-grotesque, it performs beautifully at display sizes but also maintains an exceptional degree of sensitivity for text sizes. Adobe Fonts is the easiest way to bring great type into your workflow, wherever you are. Each of Acumin’s five widths has its own personality: the narrower the design, the flatter the sides of the curved letters are. At first, the design brief was for a single family of regular and bold, with matching italics, that could be used primarily in forms and in online documents – the very places that Helvetica, Univers, and their descendants and imitators are so often used. Acumin breaks that restriction, and Slimbach feels that varying these heights makes the face “truly neutral for reading” as well as warmer and more elegant for display use. Slimbach designed the medium weights to be a secondary text weight, especially suitable for use on a screen. The Adobe Originals program started in 1989 as an in-house type foundry at Adobe, brought together to create original typefaces of exemplary design quality, technical fidelity, and aesthetic longevity. The best website for free high-quality Acumin Variable Concept Extra Condensed Light fonts, with 29 free Acumin Variable Concept Extra Condensed Light fonts for immediate download, and 46 professional Acumin Variable Concept Extra Condensed Light fonts for the best price on the Web. Slimbach approached the process of designing Acumin mostly in isolation, not making direct comparisons with existing neo-grotesques. For inspiration, rather than researching the history of the style, he observed what he saw “around town”: how neo-grotesque typefaces were used in his everyday environment.